Some music announces its intentions immediately. Bonnie Milne’s “Glimpses” does something more interesting: it allows its meaning to emerge gradually. The Canadian pianist and composer’s latest single is a study in restraint, and that restraint is precisely what gives the piece its emotional weight. “Glimpses” does not behave like a miniature soundtrack searching for a climax. It is closer to a musical recollection—something half-seen, half-remembered, and all the more affect

Chris Erasmus figures out the age old riddle of good guys and bad boys in his new single "Good Guy with a Bad Side."